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(from Italian barcarola, "boatman" or "gondolier"), originally a Venetian gondolier's song typified by gently rocking rhythms in 68 or 128 time. In the 18th and 19th centuries the barcarole inspired a considerable number of vocal and instrumental compositions, ranging from opera arias to character pieces for piano. The term surfaced as early as 1710, when the French composer Andre Campra included a "Fete des barquerolles" in a stage work (Les Fetes venitiennes, 1710). Subsequently, operas by Giovanni Paisiello, Carl Maria von Weber, Daniel-Francois-Esprit Auber, Gioachino Rossini, Giuseppe Verdi, and Johann Strauss, among others, featured barcaroles.