Nearby Words

Finale

[fi-nal-ee, -nah-lee] Example Sentences Origin

fi·na·le

[fi-nal-ee, -nah-lee]
noun
1.
the last piece, division, or movement of a concert, opera, or composition.
2.
the concluding part of any performance, course of proceedings, etc.; end.

Origin:
1715–25; < Italian, noun use of finale (adj.) < Latin fīnālis final
Dictionary.com Unabridged
Based on the Random House Dictionary, © Random House, Inc. 2012.
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Finale is always a great word to know.
So is lollapalooza. Does it mean:
an extraordinary or unusual thing, person, or event; an exceptional example or instance.
a fool or simpleton; ninny.
Example Sentences
  • Below is a montage of scenes from the series finale.
  • The book subsides in the end into a pile of aphorisms, but this is not a displeasing finale.
  • The fireworks were absolutely gorgeous, and the finale was quite dramatic.
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Collins
World English Dictionary
finale (fɪˈnɑːlɪ)
 
n
1.  the concluding part of any performance or presentation
2.  the closing section or movement of a musical composition
 
[C18: from Italian, n use of adj finale, from Latin fīnālisfinal]

Collins English Dictionary - Complete & Unabridged 10th Edition
2009 © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins
Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009
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Etymonline
Word Origin & History

finale
1783, borrowed as a musical term from It. finale "final," from L. finalis "final," from finis "end" (see finish).
Online Etymology Dictionary, © 2010 Douglas Harper
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Encyclopedia Britannica
Encyclopedia

finale

in music, the last and, as a rule, lively movement of a multimovement instrumental work, or the culminating section of an operatic act or scene, usually involving a vocal ensemble rather than a single singer. During the musical era dominated by Viennese Classicism (c. 1770-1820), solo concerti tended to end with movements in rondo form, while the finales of symphonic and chamber works, eventually solo sonatas as well, increasingly complied with the sonata-allegro principle. Beginning with Wolfgang Amadeus Mozart's last two symphonies (Nos. 40 and 41, 1788) and reaching its highest expression in numerous works of Ludwig van Beethoven, the finale attained a structural significance that had previously been reserved for the opening movement, to the extent that, instead of providing merely an agreeable conclusion, it contained the ultimate thematic resolution of a large-scale instrumental drama

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Encyclopedia Britannica, 2008. Encyclopedia Britannica Online.
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