art"), L. perf. tenses of esse (fui "I was," etc.), O.C.S. byti "be," Gk. phu- "become," O.Ir. bi'u "I am," Lith. bu'ti "to be," Rus. byt' "to be," etc. It also is behind Skt. bhavah "becoming," bhavati "becomes, happens," bhumih "earth, world."
The modern verb in its entirety represents the merger of two once-distinct verbs, the "b-root" represented by be and the am/was verb, which was itself a conglomerate. Roger Lass ("Old English") describes the verb as "a collection of semantically related paradigm fragments," while Weekley calls it "an accidental conglomeration from the different Old English dial[ect]s." It is the most irregular verb in Mod.E. and the most common. Collective in all Germanic languages, it has eight different forms in Modern English:
BE (infinitive, subjunctive, imperative)
AM (present 1st person singular)
ARE (present 2nd person singular and all plural)
IS (present 3rd person singular)
WAS (past 1st and 3rd persons singular)
WERE (past 2nd person singular, all plural; subjunctive)
BEING (progressive & present participle; gerund)
BEEN (perfect participle).
The paradigm in O.E. was:
| | SING. | PL. |
| 1st pres. | ic eom ic beo | we sind(on) we beoð |
| 2nd pres. | þu eart þu bist | ge sind(on) ge beoð |
| 3rd pres. | he is he bið | hie sind(on) hie beoð |
| 1st pret. | ic wæs | we wæron |
| 2nd pret. | þu wære | ge waeron |
| 3rd pret. | heo wæs | hie wæron |
| 1st pret. subj. | ic wære | we wæren |
| 2nd pret. subj. | þu wære | ge wæren |
| 3rd pret. subj. | Egcferð wære | hie wæren |
The "b-root" had no past tense in O.E., but often served as future tense of am/was. In 13c. it took the place of the infinitive, participle and imperative forms of am/was. Later its plural forms (we beth, ye ben, they be) became standard in M.E. and it made inroads into the singular (I be, thou beest, he beth), but forms of are claimed this turf in the 1500s and replaced be in the plural. For the origin and evolution of the am/was branches of this tangle, see
am and was.
"That but this blow Might be the be all, and the end all." ["Macbeth" I.vii.5]
artearly 13c., "skill as a result of learning or practice," from O.Fr. art, from L. artem (nom. ars) "art, skill, craft," from PIE *ar-ti- (cf. Skt. rtih "manner, mode;" Gk. arti "just," artios "complete;" Armenian arnam "make;" Ger. art "manner, mode"), from base *ar- "fit together, join" (see
arm (1)). In M.E. usually with sense of "skill in scholarship and learning" (c.1300), especially in the seven sciences, or liberal arts. This sense remains in Bachelor of Arts, etc. Meaning "human workmanship" (as opposed to nature) is from late 14c. Sense of "cunning and trickery" first attested c.1600. Meaning "skill in creative arts" is first recorded 1620; esp. of painting, sculpture, etc., from 1660s. Broader sense of the word remains in artless (1580s). As an adj. meaning "produced with conscious artistry (as opposed to popular or folk) it is attested from 1890, possibly from infl. of Ger. kunstlied "art song" (cf. art film, 1960; art rock, c.1970). Fine arts, "those which appeal to the mind and the imagination" first recorded 1767. Expression art for art's sake (1836) translates Fr. l'art pour l'art. First record of art critic is from 1865. Arts and crafts "decorative design and handcraft" first attested in the Arts and Crafts Exhibition Society, founded in London, 1888.
"Supreme art is a traditional statement of certain heroic and religious truths, passed on from age to age, modified by individual genius, but never abandoned. The revolt of individualism came because the tradition had become degraded, or rather because a spurious copy had been accepted in its stead." [William Butler Yeats]
artsecond person present indicative of be; see
be.