The surprise is so sudden that she has not time to change color until she has passed him.
Even when I told him he would be hanged this morning after breakfast, he did not change color.
It was now Morris' turn to change color, and his face assumed a sickly hue of green.
Will not the fire heat and make them change color and purify them?
There are several vegetable coloring matters that change color in this way, in the presence of an acid or an alkaline substance.
They change color, taking on the shade of anything they are on.
There was no shadow of fear or of any effect at concealment; she did not change color or shrink from me.
Lady Bassett stared with all her eyes, and began to change color.
The love Savignon meant had so little place in her thoughts that the question did not cause her to change color.
It was now the gentleman's turn to change color and to look disturbed.
early 13c., "skin color, complexion," from Old French color "color, complexion, appearance" (Modern French couleur), from Latin color "color of the skin; color in general, hue; appearance," from Old Latin colos, originally "a covering" (akin to celare "to hide, conceal"), from PIE root *kel- "to cover, conceal" (see cell).
For sense evolution, cf. Sanskrit varnah "covering, color," related to vrnoti "covers," and also see chroma. Meaning "visible color, color of something" is attested in English from c.1300. As "color as a property of things," from late 14c. Old English words for "color" were hiw ("hue"), bleo.
color col·or (kŭl'ər)
That aspect of the appearance of objects and light sources that may be specified in terms of hue, lightness, and saturation.
That portion of the visible electromagnetic spectrum specified in terms of wavelength, luminosity, and purity.
The general appearance of the skin.
The skin pigmentation of a person not classified as white.
Our Living Language : When beams of colored light are mixed, or added, their wavelengths combine to form other colors. All spectral colors can be formed by mixing wavelengths corresponding to the additive primaries red, green, and blue. When two of the additive primaries are mixed in equal proportion, they form the complement of the third. Thus cyan (a mixture of green and blue) is the complement of red; magenta (a mixture of blue and red) is the complement of green; and yellow (a mixture of red and green) is the complement of blue. Mixing the three additive primaries in equal proportions reconstitutes white light. When light passes through a color filter, certain wavelengths are absorbed, or subtracted, while others are transmitted. The subtractive primaries cyan, magenta, and yellow can be combined using overlapping filters to form all other colors. When two of the subtractive primaries are combined in equal proportion, they form the additive primary whose wavelength they share. Thus overlapping filters of cyan (blue and green) and magenta (blue and red) filter out all wavelengths except blue; magenta (blue and red) and yellow (red and green) transmit only red; and yellow (red and green) and cyan (blue and green) transmit only green. Combining all three subtractive primaries in equal proportions filters out all wavelengths, producing black. Light striking a colored surface behaves similarly to light passing through a filter, with certain wavelengths being absorbed and others reflected. Pigments are combined to form different colors by a process of subtractive absorption of various wavelengths.
Interesting background, esp details about players, etc, as used in sports coverage •A scholar in the mid-1920s wrote of color stuff as the enlivening human interest and spicy, inventive language used by sports writers to avoid mere facts: doing color, spoke of a shot put up by one of the players by calling it ''a Perot hook'': in, out, and in/ I told him I need some color for a magazine piece I'm doing (1938+ Media)