di⋅a⋅logue
[dahy-uh-lawg, -log]
noun, verb -logued, -logu⋅ing.| 1. | conversation between two or more persons. |
| 2. | the conversation between characters in a novel, drama, etc. |
| 3. | an exchange of ideas or opinions on a particular issue, esp. a political or religious issue, with a view to reaching an amicable agreement or settlement. |
| 4. | a literary work in the form of a conversation: a dialogue of Plato. |
| 5. | to carry on a dialogue; converse. |
| 6. | to discuss areas of disagreement frankly in order to resolve them. |
| 7. | to put into the form of a dialogue. |
Based on the Random House Dictionary, © Random House, Inc. 2009.
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Copyright © 2009 by Houghton Mifflin Company.
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Dialogue
Di"a*logue\ (?; 115), n. [OE. dialogue, L. dialogus, fr. Gr. ?, fr. ? to converse, dia` through + ? to speak: cf. F. dialogue. See Legend.]1. A conversation between two or more persons; particularly, a formal conversation in theatrical performances or in scholastic exercises. 2. A written composition in which two or more persons are represented as conversing or reasoning on some topic; as, the Dialogues of Plato.Dialogue
Di"a*logue\, v. i. [Cf. F. dialoguer.] To take part in a dialogue; to dialogize. [R.] --Shak.Dialogue
Di"a*logue\, v. t. To express as in dialogue. [R.] And dialogued for him what he would say. --Shak.Cite This Source
dialogue
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dialogue
in its widest sense, the recorded conversation of two or more persons, especially as an element of drama or fiction. As a literary form, it is a carefully organized exposition, by means of invented conversation, of contrasting philosophical or intellectual attitudes. The oldest known dialogues are the Sicilian mimes, written in rhythmic prose by Sophron of Syracuse in the early 5th century BC. Although none of these has survived, Plato knew and admired them. But the form of philosophic dialogue that he perfected by 400 BC was sufficiently original to be an independent literary creation. With due attention to characterization and the dramatic situation from which the discussion arises, it develops dialectically the main tenets of Platonic philosophy. To Lucian in the 2nd century AD the dialogue owes a new tone and function. His influential Dialogues of the Dead, with their coolly satirical tone, inspired innumerable imitations in England and France during the 17th and 18th centuries, e.g., dialogues by the French writers Bernard de Fontenelle (1683) and Francois Fenelon (1700-12).
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əˌlɔg