|1.||an artificial prose style of the Elizabethan period, marked by extreme use of antithesis, alliteration, and extended similes and allusions|
|2.||any stylish affectation in speech or writing, esp a rhetorical device or expression|
|[C16: after Euphues, prose romance by John Lyly]|
|an arrangement of five objects, as trees, in a square or rectangle, one at each corner and one in the middle.|
|an extraordinary or unusual thing, person, or event; an exceptional example or instance.|
an elegant Elizabethan literary style marked by excessive use of balance, antithesis, and alliteration and by frequent use of similes drawn from mythology and nature. The word is also used to denote artificial elegance. It was derived from the name of a character in the prose romances Euphues: The Anatomy of Wit (1578) and Euphues and his England (1580) by the English author John Lyly. Although the style soon fell out of fashion, it played an important role in the development of English prose. It appeared at a time of experimentation with prose styles, and it offered prose that was lighter and more fanciful than previous writing. The influence of euphuism can be seen in the works of such writers as Robert Greene and William Shakespeare, both of whom imitated the style in some works and parodied it in others
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