Ewig-weibliche

The "Ewig-Weibliche" favors exaggeration, mysticism, sentimentalism—all that excites and startles.

Rahel herself never overstepped the limits of "das Ewig-Weibliche."

He had a keen sense for the feminine element—the ewig Weibliche—and expressed it plastically with a zest approaching gusto.

He died about 1320, and his works, as his nickname suggests, were imbued with das ewig weibliche in its best sense.

Was it not the "Ewig-Weibliche" that allows no prestige but its own?