verb, fret⋅ted, fret⋅ting, noun | 1. | to feel or express worry, annoyance, discontent, or the like: Fretting about the lost ring isn't going to help. |
| 2. | to cause corrosion; gnaw into something: acids that fret at the strongest metals. |
| 3. | to make a way by gnawing, corrosion, wearing away, etc.: The river frets at its banks until a new channel is formed. |
| 4. | to become eaten, worn, or corroded (often fol. by away): Limestone slowly frets away under pounding by the wind and rain. |
| 5. | to move in agitation or commotion, as water: water fretting over the stones of a brook. |
| 6. | to torment; irritate, annoy, or vex: You mustn't fret yourself about that. |
| 7. | to wear away or consume by gnawing, friction, rust, corrosives, etc.: the ocean fretting its shores. |
| 8. | to form or make by wearing away a substance: The river had fretted an underground passage. |
| 9. | to agitate (water): Strong winds were fretting the channel. |
| 10. | an irritated state of mind; annoyance; vexation. |
| 11. | erosion; corrosion; gnawing. |
| 12. | a worn or eroded place. |

noun, verb, fret⋅ted, fret⋅ting.| 1. | an interlaced, angular design; fretwork. |
| 2. | an angular design of bands within a border. |
| 3. | Heraldry. a charge composed of two diagonal strips interlacing with and crossing at the center of a mascle. |
| 4. | a piece of decoratively pierced work placed in a clock case to deaden the sound of the mechanism. |
| 5. | to ornament with a fret or fretwork. |

noun, verb, fret⋅ted, fret⋅ting.| 1. | any of the ridges of wood, metal, or string, set across the fingerboard of a guitar, lute, or similar instrument, which help the fingers to stop the strings at the correct points. |
| 2. | to provide with frets. |

fret 1 (frět) v. fret·ted, fret·ting, frets v. tr.
[Middle English freten, from Old English fretan, to devour; see ed- in Indo-European roots.] |
fret
in decorative art and architecture, any one of several types of running or repeated ornament, consisting of lengths of straight lines or narrow bands, usually connected and at right angles to each other in T, L, or square-cornered G shapes, so arranged that the spaces between the lines or bands are approximately equal to the width of the bands. Occasionally the system is arranged so that the lines intersect or interlace, as in the common swastika fret. Because the fret is one of the simplest and most natural of decorative forms, it is one of the most widely spread, found from early times in most art forms and on all continents. Thus, it was a favourite decoration, during and after the 4th dynasty, for the ceilings of tombs in Egypt, where in later examples it was combined with rosettes, scarabs, and the lotus into patterns of great richness.
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