par-abioses

noun Biology.

experimental or natural union of two individuals with exchange of blood.

Physiology. the temporary loss of conductivity or excitability of a nerve cell.

Origin:
1905–10; para-¹ + -biosis

Related forms

par·a·bi·ot·ic

[par-uh-bahy-ot-ik, -bee-] , adjective

Dictionary.com Unabridged
Based on the Random House Dictionary, © Random House, Inc. 2013.
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World English Dictionary

parabiosis (ˌpærəbaɪˈəʊsɪs)

—n
1.	the natural union of two individuals, such as Siamese twins, so that they share a common circulation of the blood
2.	a similar union induced for experimental or therapeutic purposes

[C20: from para-¹ + Greek biōsis manner of life, from bios life]

parabiotic

—*adj*

Collins English Dictionary - Complete & Unabridged 10th Edition
2009 © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins
Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009
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00:10

Par-abioses is always a great word to know.

So is gobo. Does it mean:

a screen or mat covered with a dark material for shielding a camera lens from excess light or glare.

a calculus or concretion found in the stomach or intestines of certain animals, esp. ruminants, formerly reputed to be an effective remedy for poison.

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American Heritage

Medical Dictionary

parabiosis par·a·bi·o·sis (pār'ə-bī-ō'sĭs)
n.

The fusion of whole eggs or embryos, as occurs in conjoined twins.
Surgical joining of the vascular systems of two organisms.

par'a·bi·ot'ic (-ŏt'ĭk) adj.

Matching Quote

"Blake and Goethe were individualists par excellence, uncompromisingly protective of their single vision. In both Faust Part II and The Four Zoas, emphasis on the universality of the poet's message contrasts with the resistant texture of a compressed style and the striking complexity of the mythological machinery. Blake likes to emphasize that he is not writing for the simple-minded; Goethe takes a teasing pleasure in keeping philologists busy. Faust and The Four Zoas are dramatic epics of Humanity, but embodied in a mythic language whose uniqueness and quirkiness are jealously guarded. Blake never published The Four Zoas, though it culminates his early prophecies and provides the indispensable key to the later ones. And Goethe refused to allow Faust Part II to be printed in its entirety until after his death. Both poets postponed the public's discovery of their central works; secrecy was enforced as long as it could be."

-Martin Bidney

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