par-esthetic

noun Pathology.

an abnormal sensation, as prickling, itching, etc.

Also, paraesthesia.

Origin:
1855–60; < Neo-Latin; see par-, esthesia

Related forms

par·es·thet·ic

[par-is-thet-ik] , adjective

Dictionary.com Unabridged
Based on the Random House Dictionary, © Random House, Inc. 2013.
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Collins

World English Dictionary

paraesthesia or paresthesia (ˌpærɛsˈθiːzɪə)

—n
	pathol an abnormal or inappropriate sensation in an organ, part, or area of the skin, as of burning, prickling, tingling, etc

paresthesia or paresthesia

—n

paraesthetic or paresthesia

—*adj*

paresthetic or paresthesia

—*adj*

00:10

Par-esthetic is always a great word to know.

So is lollapalooza. Does it mean:

a children's mummer's parade, as on the Fourth of July, with prizes for the best costumes.

an extraordinary or unusual thing, person, or event; an exceptional example or instance.

LEARN MORE UNUSUAL WORDS WITH WORD DYNAMO...

paresthesia (ˌpærɛsˈθiːzɪə)

—n
	pathol the usual US spelling of paraesthesia

paresthetic

—*adj*

Collins English Dictionary - Complete & Unabridged 10th Edition
2009 © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins
Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009
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American Heritage

Medical Dictionary

paresthesia par·es·the·sia or par·aes·the·sia (pār'ĭs-thē'zhə)
n.
A skin sensation, such as burning, prickling, itching, or tingling, with no apparent physical cause.

par'es·thet'ic (-thět'ĭk) adj.

Matching Quote

"Blake and Goethe were individualists par excellence, uncompromisingly protective of their single vision. In both Faust Part II and The Four Zoas, emphasis on the universality of the poet's message contrasts with the resistant texture of a compressed style and the striking complexity of the mythological machinery. Blake likes to emphasize that he is not writing for the simple-minded; Goethe takes a teasing pleasure in keeping philologists busy. Faust and The Four Zoas are dramatic epics of Humanity, but embodied in a mythic language whose uniqueness and quirkiness are jealously guarded. Blake never published The Four Zoas, though it culminates his early prophecies and provides the indispensable key to the later ones. And Goethe refused to allow Faust Part II to be printed in its entirety until after his death. Both poets postponed the public's discovery of their central works; secrecy was enforced as long as it could be."

-Martin Bidney

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