(French: "accursed poet"), in literary criticism, the poet as an outcast of modern society, despised by its rulers who fear his penetrating insights into their spiritual emptiness. The phrase was first applied by Paul Verlaine in Les Poetes maudits (1884), a collection of critical and biographical studies that focused on the tragedy of the lives of the then little-known Symbolist poets Tristan Corbiere, Marceline Desbordes-Valmore, Villiers de l'Isle-Adam, Stephane Mallarme, and Arthur Rimbaud. Verlaine may have taken les poetes maudits from Baudelaire's "Benediction," in which a poet is described as untouched by the suffering and contempt he experiences. The term carries the implication of the low estate into which the poet has fallen from his ancient position as seer and prophet.
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