a character in Victor Hugo's novel Notre-Dame de Paris (1831), a grotesque hunch-backed bellringer of the cathedral of Notre Dame
(Italian) (kwaˈziːmodo). Salvatore (salvaˈtoːre). 1901–68, Italian poet, whose early work expresses symbolist ideas and techniques. His later work is more concerned with political and social issues: Nobel prize for literature 1959
(sense 1) from the opening words of the Latin introit for that day, quasimodo geniti infantes as new-born babies
"Low Sunday," 1706, Quasimodo Sunday, from L. quasi modo, first words of introit for the first Sunday after Easter: quasi modo geniti infantes "as newborn babes" (1 Pet. ii:2). The hunchback in Victor Hugo's novel was supposed to have been abandoned as an infant at Notre Dame on this day.