[si-nek-duh-kee] 
| a figure of speech in which a part is used for the whole or the whole for a part, the special for the general or the general for the special, as in ten sail for ten ships or a Croesus for a rich man. |
| syn·ec·do·che (sĭ-něk'də-kē) n. A figure of speech in which a part is used for the whole (as hand for sailor), the whole for a part (as the law for police officer), the specific for the general (as cutthroat for assassin), the general for the specific (as thief for pickpocket), or the material for the thing made from it (as steel for sword). [Middle English synodoches, from Medieval Latin synodoche, alteration of Latin synecdochē, from Greek sunekdokhē, from sunekdekhesthai, to take on a share of : sun-, syn- + ekdekhesthai, to understand (ek-, out of; see eghs in Indo-European roots + dekhesthai, to take; see dek- in Indo-European roots).] syn'ec·doch'ic (sĭn'ěk-dŏk'ĭk), syn'ec·doch'i·cal (-ĭ-kəl) adj. |
synecdoche
figure of speech in which a part represents the whole, as in the expression "hired hands" for workmen or, less commonly, the whole represents a part, as in the use of the word "society" to mean high society. Closely related to metonymy-the replacement of a word by one closely related to the original-synecdoche is an important poetic device for creating vivid imagery. An example is Samuel Taylor Coleridge's line in "The Rime of the Ancient Mariner," "The western wave was all aflame," in which "wave" substitutes for "sea." See also metonymy.
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