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in architecture, a projecting hood or cover suspended over an altar, statue, or niche. It originally symbolized a divine and royal presence and was probably derived from the cosmic audience tent of the Achaemenian kings of Persia. In the Middle Ages it became a symbol of the divine presence in churches. During the 14th and 15th centuries, tombs, statues, and niches were overhung with richly decorated tabernacle work in stone, and these were reflected in delicate spiral wooden canopies over fonts.