allegro

The Introduction dies away and gives place to a stormy allegro.

The Introduction and first Allegro are very weak; the poverty of Tchaikovskys invention displays itself every moment.

The first Allegro of the Concerto went very smoothly, and the audience rewarded him with thundering applause.

That the composer dedicated to her his Allegro de Concert, Op. 46, may be regarded as a mark of his love and esteem for her.

In the last Allegro there are several holds before the theme is resumed.