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View synonyms for coda

coda

1

[ koh-duh ]

noun

  1. Music. a more or less independent passage, at the end of a composition, introduced to bring it to a satisfactory close.
  2. Ballet. the concluding section of a ballet, especially the final part of a pas de deux.
  3. a concluding section or part, especially one of a conventional form and serving as a summation of preceding themes, motifs, etc., as in a work of literature or drama.
  4. anything that serves as a concluding part.
  5. Phonetics. the segment of a syllable following the nucleus, as the d- sound in good. Compare core 1( def 14 ), onset ( def 3 ).


CODA

2

[ koh-duh ]

abbreviation for

  1. child of deaf adultadults: a hearing person with a deaf parent or parents.

coda

/ ˈkəʊdə /

noun

  1. music the final, sometimes inessential, part of a musical structure
  2. a concluding part of a literary work, esp a summary at the end of a novel of further developments in the lives of the characters


coda

  1. An ending to a piece of music, standing outside the formal structure of the piece. Coda is the Italian word for “tail.”


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Word History and Origins

Origin of coda1

First recorded in 1745–55; from Italian, from Latin cauda “tail”; queue

Origin of coda2

First recorded in 1990–95

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Word History and Origins

Origin of coda1

C18: from Italian: tail, from Latin cauda

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Example Sentences

Of course, you can read this just as a brilliant, subversive coda to a horror movie.

Spoiler Alert: Do not read if you haven't seen season five episode eight of  The Walking Dead, “Coda”

The scene serves as the coda to The Last of the Unjust, and it ranks as one of the most splendid closing sequences in cinema.

Melville then appends an ultra-weird coda: There would seem little need for proceeding further in this history.

And then the joke in the last verse of watching Walter Cronkite deliver the coda.

And again, it has a coda pausing on the dominant chord and followed by an Andantino.

The coda is one of the most fascinating ever penned by Schubert.

Beethoven had originally intended that the entire scherzo, with the trio, should be repeated, and then be concluded by the coda.

It has the rondo form; the principal theme, twice relieved by an interlude, recurs three times, and winds up with a coda.

Finally, a new and important climax is introduced in the coda by the opposition of the two chief subjects.

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codcod-act