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1765, from French baroque (15c.) "irregular," from Portuguese barroco "imperfect pearl," of uncertain origin, perhaps related to Spanish berruca "a wart."
This style in decorations got the epithet of Barroque taste, derived from a word signifying pearls and teeth of unequal size. [Fuseli's translation of Winkelmann, 1765]Klein suggests the name may be from Italian painter Federigo Barocci (1528-1612), a founder of the style. How to tell baroque from rococo, according to Fowler: "The characteristics of baroque are grandeur, pomposity, and weight; those of rococo are inconsequence, grace, and lightness." But the two terms often used without distinction for styles featuring odd and excessive ornamentation.
An early logic programming language written by Boyer and Moore in 1972.
["Computational Logic: Structure Sharing and Proof of program Properties", J. Moore, DCL Memo 67, U Edinburgh 1974].
Feature-encrusted; complex; gaudy; verging on excessive. Said of hardware or (especially) software designs, this has many of the connotations of elephantine or monstrosity but is less extreme and not pejorative in itself. "Metafont even has features to introduce random variations to its letterform output. Now *that* is baroque!"
See also rococo.