|the offspring of a zebra and a donkey.|
|an arrangement of five objects, as trees, in a square or rectangle, one at each corner and one in the middle.|
|—n , pl -phies|
|1.||a. the symbols used in a work of art or art movement|
|b. the conventional significance attached to such symbols|
|2.||a collection of pictures of a particular subject, such as Christ|
|3.||the representation of the subjects of icons or portraits, esp on coins|
the science of identification, description, classification, and interpretation of symbols, themes, and subject matter in the visual arts. The term can also refer to the artist's use of this imagery in a particular work. The earliest iconographical studies, published in the 16th century, were catalogs of emblems and symbols collected from antique literature and translated into pictorial terms for the use of artists. The most famous of these works is Cesare Ripa's Iconologia (1593). Extensive iconographical study did not begin in Europe until the 18th century, however, when, as a companion to archaeology, it consisted of the classification of subjects and motifs in ancient monuments.
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