|1.||a light piece of music based on two or more popular tunes|
|2.||a subtle argument, esp one prepared as an exercise on a theological topic|
|[C14: from Latin, from quod what + libet pleases, that is, whatever you like]|
musical composition in which several well-known melodies are combined, either simultaneously or, less frequently, sequentially, for humorous effect. Quodlibet can also refer to an amalgamation of different song texts in a vocal composition. While simultaneous combinations of two or more melodies go back to the 13th century (motets using, for example, a chant melody and a secular tune), quodlibets were especially popular in the 15th and 16th centuries. In Germany numerous instances are found in manuscript collections of polyphonic (multipart) songs. An English example is the Cries of London by Orlando Gibbons. Perhaps the best-known quodlibet is the finale of J.S. Bach's Goldberg Variations for harpsichord (published 1742). Terms related to quodlibet technique include fricassee (French: "hash"), ensalada (Spanish: "salad"), centone (Italian: "patchwork"), and, in later centuries, medley and potpourri.
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