The staccato may be played with the down-bow, the wrist and arm movements being simply the reverse of those in the up-bow.
In commencing the study of staccato bowing it is well to confine oneself to the up-bow form at first.
Example 48a is a style of phrasing which should always commence with the up-bow; the reasons for this are as follows.
And the violinist should never think: 'I must play this up-bow or down-bow.'
The up-bow may also be used in like manner, commencing at the point and finishing near the heel, the movements being reversed.
The octave higher commences with an up-bow, the action being exactly reversed until the heel is reached.