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Hyperbole

- 6 dictionary results

hy⋅per⋅bo⋅le

[hahy-pur-buh-lee]
–noun Rhetoric.
1. obvious and intentional exaggeration.
2. an extravagant statement or figure of speech not intended to be taken literally, as “to wait an eternity.”
Compare litotes.


Origin:
1520–30; < Gk hyperbol excess, exaggeration, throwing beyond, equiv. to hyper- hyper- + bol throw


2. overstatement.


2. understatement.
hy·per·bo·le   (hī-pûr'bə-lē)   
n.  A figure of speech in which exaggeration is used for emphasis or effect, as in I could sleep for a year or This book weighs a ton.

[Latin hyperbolē, from Greek huperbolē, excess, from huperballein, to exceed : huper, beyond; see hyper- + ballein, to throw; see gwelə- in Indo-European roots.]

Hyperbole

Hy*per"bo*le\, n. [L., fr. Gr?, prop., an overshooting, excess, fr. Gr. ? to throw over or beyond; "ype`r over + ? to throw. See Hyper-, Parable, and cf. Hyperbola.] (Rhet.) A figure of speech in which the expression is an evident exaggeration of the meaning intended to be conveyed, or by which things are represented as much greater or less, better or worse, than they really are; a statement exaggerated fancifully, through excitement, or for effect.

Our common forms of compliment are almost all of them extravagant hyperboles. --Blair.

Somebody has said of the boldest figure in rhetoric, the hyperbole, that it lies without deceiving. --Macaulay.

hyperbole [(heye-pur-buh-lee)]

An exaggerated, extravagant expression. It is hyperbole to say, “I'd give my whole fortune for a bowl of bean soup.”


hyperbole 
1529, from L. hyperbole, from Gk. hyperbole "exaggeration, extravagance," from hyperballein "to throw over or beyond," from hyper- "beyond" + bol-, nom. stem of ballein "to throw." Rhetorical sense is found in Aristotle and Isocrates.

hyperbole

a figure of speech that is an intentional exaggeration for emphasis or comic effect. Hyperbole is common in love poetry, in which it is used to convey the lover's intense admiration for his beloved. An example is the following passage describing Portia:Why, if two gods should play some heavenlymatchAnd on the wager lay two earthly women,And Portia one, there must be something elsePawned with the other, for the poor rudeworldHath not her fellow.(Shakespeare, The Merchant of Venice)

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