par⋅a⋅phrase
[par-uh-freyz]
noun, verb, -phrased, -phras⋅ing.| 1. | a restatement of a text or passage giving the meaning in another form, as for clearness; rewording. |
| 2. | the act or process of restating or rewording. |
| 3. | to render the meaning of in a paraphrase: to paraphrase a technical paper for lay readers. |
| 4. | to make a paraphrase or paraphrases. |
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Based on the Random House Dictionary, © Random House, Inc. 2009.
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Copyright © 2009 by Houghton Mifflin Company.
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Paraphrase
Par"a*phrase\, n. [L. paraphrasis, Gr. ?, from ? to say the same thing in other words; ? beside + ? to speak: cf. F. paraphrase. See Para-, and Phrase.] A restatement of a text, passage, or work, expressing the meaning of the original in another form, generally for the sake of its clearer and fuller exposition; a setting forth the signification of a text in other and ampler terms; a free translation or rendering; -- opposed to metaphrase. In paraphrase, or translation with latitude, the author's words are not so strictly followed as his sense. --Dryden. Excellent paraphrases of the Psalms of David. --I. Disraeli. His sermons a living paraphrase upon his practice. --Sowth. The Targums are also called the Chaldaic or Aramaic Paraphrases. --Shipley.Paraphrase
Par"a*phrase\, v. t. [imp. & p. p. Paraphrased; p. pr. & vb. n. Paraphrasing.] To express, interpret, or translate with latitude; to give the meaning of a passage in other language. We are put to construe and paraphrase our own words. --Bp. Stillingfleet.Paraphrase
Par"a*phrase\, v. i. To make a paraphrase.Cite This Source
paraphrase
A restatement of speech or writing that retains the basic meaning while changing the words. A paraphrase often clarifies the original statement by putting it into words that are more easily understood.
Copyright © 2005 by Houghton Mifflin Company.
Published by Houghton Mifflin Company. All rights reserved.
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paraphrase (n.)
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paraphrase
in music, the appropriation of a phrase, melody, section, or entire piece for use in another, favoured especially during the Renaissance for masses and motets as well as for keyboard works. The original melody is not generally used as it appeared in its original context but rather is altered by interpolating new notes, by changing the rhythm or the melodic contour, or by condensing or elaborating melodic passages. A paraphrased melody may appear in one voice part of the new composition, as in the motet Alma redemptoris mater (Beloved Mother of the Redeemer) by Guillaume Dufay, or in all voice parts through the technique of melodic imitation, as in the Missa pange lingua (mass on the plainsong hymn "Pange lingua" ["Sing, My Tongue"]) by Josquin des Prez.
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əˌfreɪz