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villanelle

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vil⋅la⋅nelle

[vil-uh-nel]
–noun Prosody.
a short poem of fixed form, written in tercets, usually five in number, followed by a final quatrain, all being based on two rhymes.

Origin:
1580–90; < F < It; see villanella, -elle

vil⋅la⋅nel⋅la

[vil-uh-nel-uh; It. veel-lah-nel-lah]
–noun, plural -nel⋅le [-nel-ee; It. -nel-le] .
a rustic Italian part song without accompaniment.

Origin:
1590–1600; < It, fem. of villanello rural, rustic, equiv. to villan(o) peasant, boor (see villain ) + -ello -ish
Dictionary.com Unabridged
Based on the Random House Dictionary, © Random House, Inc. 2009.
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vil·la·nelle   (vĭl'ə-něl')   
n.  A 19-line poem of fixed form consisting of five tercets and a final quatrain on two rhymes, with the first and third lines of the first tercet repeated alternately as a refrain closing the succeeding stanzas and joined as the final couplet of the quatrain.

[French, from Italian villanella, from feminine of villanello, rustic, from villano, peasant, from Vulgar Latin *vīllānus, from Latin vīlla, country house; see weik-1 in Indo-European roots.]
The American Heritage® Dictionary of the English Language, Fourth Edition
Copyright © 2009 by Houghton Mifflin Company.
Published by Houghton Mifflin Company. All rights reserved.
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Word Origin & History

villanelle 
1586, from Fr., from It. villanella "ballad, rural song," from fem. of villanello "rustic," from M.L. villanus (see villain). As a poetic form, five 3-lined stanzas and a final quatrain, with only two rhymes throughout, usually of pastoral or lyric nature.
Online Etymology Dictionary, © 2001 Douglas Harper
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Encyclopedia

villanelle

rustic song in Italy, where the term originated (Italian villanella from villano: "peasant"); the term was used in France to designate a short poem of popular character favoured by poets in the late 16th century. Du Bellay's "Vanneur de Ble" and Philippe Desportes' "Rozette" are examples of this early type, unrestricted in form. Jean Passerat (died 1602) left several villanelles, one so popular that it set the pattern for later poets and, accidentally, imposed a rigorous and somewhat monotonous form: seven-syllable lines using two rhymes, distributed in (normally) five tercets and a final quatrain with line repetitions.

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Encyclopedia Britannica, 2008. Encyclopedia Britannica Online.
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